Dancehouse

Performance Archive

SARAH ELSWORTH - UPSTREAM (B-SIDES)

02 December 2016

Sarah Elsworth's Upstream (B-Sides) rejoices in cycles of progression and regression through the divergent pathways of life, as a starting point for devising.

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NATALIE ABBOTT - SPECTACULAR DANCES

04 November 2016

This work is about re-visiting the spectacle of dance and creating a group performance that looks at the dancing body in a performance context.

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LEAH LANDAU - THE SEQUEL 2

07 October 2016

How can degrees of idleness from the dancers and the audience repurpose attention-as-material? How can we escape the implications of 'newness' and what is produced otherwise?

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MELBOURNE FRINGE FESTIVAL

21 September 2016 - 01 October 2016

Melbourne Fringe Festival performances at Dancehouse.

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FRINGE 2016 - DOUBLE BILL - BRAINCHILD

29 September 2016 - 01 October 2016

BRAINCHILD is a double bill comprising Low Expectations (Samantha Crameri-Miller) and Principle of Causation (Cameron Lansdown-Goodman)

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FRINGE 2016 - IRINA KUZMINSKY - DANCING WITH DARK GODDESSES

29 September 2016 - 01 October 2016

Inspired by the psychological dance of Anna Pavlova and the free flowing movement of Isadora Duncan Irinushka, Irina Kuzminsky has created a dance and poetry fusion show, Dancing with Dark Goddesses.

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FRINGE 2016 - DOUBLE BILL - AWKWARD CON-NECTIONS

22 September 2016 - 24 September 2016

Awkward Con-nections is a double bill of contemporary dance which physicalises and questions the social playground of human interactions.

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FRINGE 2016 - PAUL JESSEPH BASE HICKMAN - ISM

21 September 2016 - 24 September 2016

Paul Jesseph Base Hickman's Ism takes its concept and inspiration from the 'Mona-ism' gallery exhibition in Hobart Tasmania. This piece was originally performed as a solo work in Singapore and Philippines last year for the Asia International Dance Festival.

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ELENA OSALDE - 360 DEGREES OUT OF STILLNESS

02 September 2016

Elena Osalde Trueba's 360 degrees out of stillness explores the feeling of knowing who we are, drawing on the concept of the ultimate state of peace found in stillness.

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SHIAN LAW - SOCIAL STUDIES: EPIC THEATRE

12 August 2016

In Social Studies: Epic Theatre, Shian Law takes on the historical theatre style and analyses its relationship to the politics of our time. The investigation will ultimately seek to bend the confines of theatrical practice to voice current political concerns with the operation of democracy, and thus calling upon a re-invention of the form.

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