Gemma Sattler is a Naarm based performance maker and performer. Gemma primarily works from an artistic partnership with Molly McKenzie, under the moniker gemma+molly. Their work has been supported by FELTspace, KINGS Artist-Run, Temperance Hall, Lucy Guerin Inc., STRUT Dance, PICA, Dancehouse, and the Ian Potter Cultural Trust. Gemma’s practice has been informed by her work as a performer for artists Sarah Aiken, Alicia Frankovich, and notably, Angela Goh during the acquisition process of Goh’s work Body Loss for the permanent collection of the University of Melbourne Art Museums, seeing Gemma perform Body Loss at Buxton Contemporary, Naarm (2024), and Museo Experimental el Eco, Mexico City, Mexico (2025).

Molly McKenzie is a performer and choreographer working on Wurundjeri country, Naarm/Melbourne. Molly primarily works from the artistic partnership, gemma+molly, with Gemma Sattler. Utilising the potential of choreography as a structure independent of dance, they devise performance that choreographs attention, space and bodies, both animate and inanimate. Molly graduated with a BFA from the Victorian College of the Arts (2021). Her work has been presented at FELTspace (2025), KINGS Artist-Run (2025), PICA x STRUT Dance (2024), Dancehouse (2023), Temperance Hall (2023), and has been supported by Lucy Guerin Inc and the Ian Potter Cultural Trust.  Molly has recently worked with Angela Goh during the historic acquisition process of Goh’s work Body Loss for the permanent collection of the University of Melbourne Art Museums. Within this process, Molly has undertaken the role of performer at Buxton Contemporary, Naarm (2024), and choreographic installer at Museo Experimental el Eco, Mexico City (2025).

April Guest is a Naarm-based beatboxer, vocalist, performer, sound designer, and creative coder. Their practice explores the expansive possibilities of the human voice through organic and technological means, spanning live looping performance, installation, and produced music. April has presented work with Liquid Architecture, Now or Never, New North, and Make It Up Club, and releases electronic music under the alias Byte Crusher.

Giovanna Yate Gonzalez is a Colombian-born dancer turned lighting designer based in Australia. A VCA graduate, she has worked on acclaimed projects like Siren Dance (Sydney Dance Company) and the Fringe award-winning LUSH. In 2023, she joined Malthouse’s Besen Artistic Program and, in 2024, was Associate Lighting Designer for Amelia Lever-Davidson on The Children’s Bach. Known for blending movement and light, her work includes Flesh Vessel (Dance X, FESTIVAL, 2025). Giovanna was part of Melbourne Theatre Company’s FUTURE CREATIVE program, continuing to illuminate Naarm’s stages.

Grey Dear is an interdisciplinary artist and discursive practitioner with special interests in collectivity, ecosomatics and perceptual experience. Coming from a dance background, Grey employs choreographic thinking and embodied approaches across the diverse tendrils of their practice. They create sensorially and intellectually engaging experiences, whether it be an experimental talk, action in a gallery, performance in a theatre or outdoor engagement in a public setting. Grey is an Artistic Director at Blindside Gallery, runs public program, On The Table, at Dancehouse, and has presented work at numerous theatres, galleries and festivals across Narrm and Stockholm.