Charcoal
by Keia McGrady
— Regeneration after burning
Two dancers mark the stage with charcoal. As their footfalls gently move through Country, they inscribe a living conversation between spirit and landscape that spans generations.
Inspired by the regenerative power of cultural burning, Charcoal sees emerging choreographer Keia McGrady creates a visceral meditation on Country, lineage and the cycles of rebirth that are held in the land upon which we all walk.
The physical and invisible textures of the landscape manifest in a work steeped in ancestral knowledge drawn from deep collaboration with family.
Charcoal traces a dialogue between spirit, memory and land in a work where movement becomes sacred offering and the body transforms into canvas.
Lead Artist & Performer Keia McGrady (Githabul Migunberri Gomeroi)
Performer Amelia Jean O’Leary (Gamilaroi and Wadawurrung Yinarr)
Sound Composer Joshua Santospirito & Waveney Yasso (Yuwi Burra & South Sea Island)
Sound Engineer Joshua Santospirito
Lighting Designer & AV Jason James
Original Costume Designer Noah Johnson
Charcoal was originally developed as part of the BlakDance Residency Program, with financial assistance from the Queensland Government through Arts Queensland QASP and Access Arts, and additional support from the Brisbane Powerhouse. As Performing Lines TAS’ Aboriginal Arts Mentor for 2023 the further development of Charcoal is supported by the Tasmanian Government through Arts Tasmania’s Aboriginal Arts Program, and Moonah Arts Centre.
ORBIT is a new touring program designed to take independent dance to the next level. Led by Australian Dance Theatre (SA), Dancehouse (VIC) and Sydney Dance Company (NSW), ORBIT will see exceptional independent choreographic works slingshot to multiple cities on a fully supported tour.
ORBIT’s 2026 program will feature Agitato byJo Lloyd, Charcoal by Keia McGrady, [ gameboy ] by Amy Zhang and Future History by Gabrielle Nankivell.
Running the gamut from a poignant mediation on country, an exploration of ingenuity in the face of ecological collapse, a choreographic reckoning with a virtuosic piece of classical music from 1823 and a video game inspired work about our digital lives, ORBIT offers audiences the chance to experience works from artists at the vanguard of contemporary Australian performance.
Keia McGrady is a Githabul Migunberri Gomeroi contemporary dance artist, story teller from south east Queensland. Her practice embodies country, weaving knowledge passed down. Keia honours her culture through contemporary dance while unpacking social and political issues that have been present throughout her life. Keia has performed at festivals and events such as Junction arts festival, 10 days on the island, Panama festival, Perth festival, Sydney contemporary and more. With the a desire of truth telling through movement, Keia has performed in seasons such as Taree Sansdbury’s MI:WI season at QPAC, Jo Loyds work ‘collision’, national tour with Karul projects for their work ‘Silence’ and performing in Amelia Jean O’leary work ‘Coded’, ‘Sad eyes’ and ‘Ngambaa’ which was performed at deadly fringe festival and Matriarchs uprising (Canada). Keia’s practise is rooted in deep listening, weaving stories through visual art and movement while valuing collaborations.
Amelia Jean O’Leary is a queer First Nations Gamilaroi and Wadawurrung Yinarr dance artist and storyteller based in Sydney, Australia. Their work is a contemplative exploration of the complex and brutal terrains they inhabit, transforming dance into acts of sovereignty through deeply authentic, emotionally resonant performances grounded in lived experience. Since graduating from the Victorian College of the Arts in 2021, O’Leary has rapidly emerged as a compelling voice in contemporary dance and performance. Their work has been presented at Adelaide Fringe, Melbourne Fringe, Dancehouse, FRAME: A Biennial of Dance, and internationally at Matriarchs Uprising Festival in Vancouver. Their accolades include the Best Emerging Indigenous Artist award at Melbourne Fringe and Green Room Award nominations. O’Leary continues to create bold, unapologetically First Nations and queer work across dance, theatre, and performance.
Joshua Santospirito is a multimedia artist, musician and graphic novelist living in Nipaluna on Palawa land, Lutruwita (Tasmania). Joshua regularly performs solo, and has toured Europe and Australia. He is also one half of the beloved improvisational classical duo Bing/Santospirito. He is known for creating cross-media performances for arts festivals and composition for theatre and dance.
Jason James strongly focuses on new Australian works and projects with social benefits. He has won three Tasmanian Theatre Awards for lighting design: Archipelago Production’s The Maids in 2022, Terrapin’s Big Baby in 2015, and Hobart Rep’s Speaking in Tongues in 2020. Recent designs include Amy’s Tattoo, Bingo Stay on the Ball Ladies for Blue Cow, The Adventures of the Indefatigable Enviroteens, Past the Shallows for Archipelago, and To Carry to Hold for Mature Artist Dance Experience.
Noah Johnson is a black multidisciplinary artist, born in lutriwita (Hobart), they first began painting as a way to visually represent their creative mind and their deep roots to their African American culture which paved the way for their love of fashion and consequently sewing & design. Noah has a successful business ONEOFONEARCHIVE, an upcycling slow fashion label which came to fruition when they were 16 years old. Their values lie in sustainability and story telling through their textile art while they use a mixture of simple to intricate design choices to convey that. Recently featured in Vogue & Russh Magazine for their upcycled winter collection in collaboration with Tourism Tasmania, Noah continues to expand their design portfolio and bring ‘slow fashion’ to the forefront of the fashion industry.
