Dance (Lens) 2025 — Official Selection #3
4 Films From The Dance (Lens) Festival Official Selection




4 recent Australian screendance works from the 2025 Dance (Lens) Official Selection including choreographic meditations on faith, spirit, rebirth, trauma and devotion.
negentropic (2025), by Efren Pamilacan
negentropic is an offering that wanders through the timeless cycles of nature, memory, and spirit. Weaving dance, ritual, and landscape, it explores the unseen forces that shape life, death, and rebirth — the quiet order within chaos. Guided by the energies of ancestral presence and earthly rhythm, the work unfolds as a meditation on negentropy: the return to structure, meaning, and regeneration.
A collaboration between Cypher Culture, Kasing Sining and Pataphysics, negentropic moves between worlds — where being becomes vessel, and movement becomes devotion.
This project is supported by Creative Australia, Dancehouse, Playking Foundation, XP Films, Cypher Culture and Kasing Sining
Directed by: Efren Pamilacan
Produced by: Kasing Sining and Cypher Culture
Performed by: Marvin Acero Ablao and Efren Pamilacan
Collaborating Artists: Marvin Acero Ablao
Music & Sound Design: Pataphysics
Cinematography: Christian Paul Naparota
Editing: Christian Paul Naparota
Colour Grading: Christian Paul Naparota
Production Assistant: Riche Ceasar Balijon
Costume / Styling: Marvin Acero Ablao
Filmed on location in: Bohol, Philippines
Things Unsaid (2023), by Jude Walton
Things Unsaid investigates the writing of French poet and surrealist André Breton in his book Nadja. It brings an understanding of the text from Nadja’s perspective, giving her a physical presence.
Breton met Nadja on the streets of Paris and began an affair that lasted nine days. Her real name was Léona Delcourt and her identity has been uncovered by Hester Albach. The film is not a simple narrative of events but explores the unconscious activity of the mind through the mediums of dance and visual images.
Direction, Cinematography, Edit Jude Walton
Choreography Jude Walton, Gesa Piper
Performer Gesa Piper
Composer Pianist Kym Dillon
Produced by May Braine – Fugitive Bodies
VIGIL (2024), by Outer Urban Projects, Tara Jade Samaya and Pippa Samaya — The Samaya Wives
This award winning short film is the first project of a larger experiential and communal work of scale, VIGIL, being created by Outer Urban Projects, Naarm/Melbourne, Australia.
VIGIL brings together an exceptional creative team of writers, performers, dance artists, film makers and community to examine the intersection of public and private safety with race, gender and terror.
“The VIGIL film is an intimate reflection on the ripple effects of gender-based violence that unpacks the layers of trauma of an abusive relationship or event. The work is an embodied devotion about the power of the collective, a congregation, a vigil.” – Pippa Samaya and Tara Jade Samaya – The Samaya Wives
This film has been developed with the support from the Australian Government through Creative Australia and its arts, funding and advisory body, the Victorian Government through Creative Victoria, Besen Family Foundation, Inner North Community Foundation and Merri-bek City Council.
Director, Cinematographer, Editor and Photographer Pippa Samaya
Director, Performer and Movement Director Tara Jade Samaya
Performer and Production Manager Ivy-Victoria Otradovec
Original Music and Sound Designer, VIGIL Project Director and Originator Irine Vela
Producers Kate Gillick and Irine Vela
Mixing and Mastering Evripides Evripidou and Trevor Carter
Electric Guitar, Keyboard, Frame Drum and Samples Irine Vela
Fretless Bass Evripides Evripidou
Electric Guitar Mulaim Vela and Ron Peers
Reverence (2025), by Rebekah Stuart
Reverence follows dancer Rebekah Stuart, raised in a family immersed in the practice of reverence, first through the church where her father preached and now through cultural festivals that gather communities in shared experience. Her work examines how reverence, once structured by doctrine and collective worship, persists beyond its original frame. Through movement, she engages with faith as an embodied act, stepping into the ocean without looking, trusting the landscape. At times she surrenders to natural forces, at others she asserts human presence through deliberate gesture. A moment of rupture suggests a sublime force. Displaced from its origins, it must find a way to continue.
Supported by The F Project, Warrnambool
Cinematographer, Editor Mischa Baka
Composer Cleis Pearce