Dancehouse is on Wurundjeri Country. We offer our respects to the Wurundjeri woi-wurrung people — and to all Aboriginal and Torres Strait Island people — who continue to dance on Country, and have done, for thousands of generations. Always was and always will be Aboriginal land.

In Green, In White

by Weichen Cui

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'In Green, In White' (2026) by Weichen Cui. Photo by Georgia Moloney.
6pm, Wed 30 Sep — Sat 3 Oct 2026
Sylvia Staehli Theatre

**TWO SHOWS $48
***THREE SHOWS $66

Fan $42
Full $32
Concession $27
Members/Locals $22
MobTix $22
Companion Card FREE

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** See YOUR CHOICE OF either INTERLINK_SYSTEM by Joyce Liu OR hubris silly girl2 by Andrea Illés on the same night

*** See ALL THREE SHOWS on the same night

Duration: 50 minutes

 

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— Metamorphosis of The White Snake

The White Snake legend is a well-known Chinese folklore recounting a story of love and revenge, but more importantly, a tale about the relationship between two women not accepted by society but bound together in kinship. The White Snake — yao 妖 — names a being of ambiguity and change: not simply monster, spirit or fairy, but a body that crosses boundaries and unsettles categories.

In Green, In White is a contemporary encounter with the legend exploring how two performers move together inside shared cultural motifs while carrying different bodily memories, lived experiences, and ways of being seen.

Drawing on Chinese dance and W_acking, Weichen and Jiawen move between human and more-than-human, visibility, and opacity. Exploring transformation and companionship, In Green, In White asks how companionship and identity are influenced by cultural and social systems.

 

Choreographer Weichen Cui
Performers Weichen Cui and Jiawen Feng
Sound Design Monica Lim
Lighting and Stage Design Tom Vulcan
Visual Design Haocheng Zhang
Costume Design Fengfeng Wang

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Weichen Cui is a choreographer and movement educator currently pursuing a PhD at the University of Melbourne in Naarm/Melbourne. Originally from China, she trained in traditional Chinese dance and martial arts and completed a bachelor’s degree in Philosophy at Fudan University, Shanghai. After moving to Australia in 2015, she began her professional dance training at the Victorian College of the Arts. She later lived and performed in New York, completing an MFA in Dance at NYU Tisch School of the Arts and an MA in Dance Education at NYU Steinhardt in 2022. Her choreographic practice and research are shaped by her cross-cultural training, philosophical background, and ongoing engagement with somatic movement practices. Her practice draws from cultural narratives embedded in bodily memory and accessed through somatic awareness. Her research explores how embodied memory, cultural experience, and somatic attention inform choreography and performance.

Jiawen Feng is a multidisciplinary movement artist and performer based in Naarm (Melbourne), originally from Shanghai, China. Their work explores themes of cultural intersection and identity expression, particularly through the lens of their experience as a queer diasporic artist. Feng has worked with artists and researchers such as Carol Brown, Lucy Guerin (during BFA study in 2022), Kim Vincs, Megan Beckwith, Monica Lim, and Mindy Meng Wang. Feng holds a Bachelor of Fine Arts (Dance) from the Victorian College of the Arts and is currently pursuing a Master of Dance. Their practice integrates improvisation, release-based contemporary techniques, and Chinese classical dance, often incorporating interactive technology and projection to explore movement in expanded environments.

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