Not a Jam
by Aimee Raitman
— Words, histories, and dancers roll around a studio, but this is not a jam.
A ‘Jam,’ as it is fondly known in the Contact Improvisation community, can be a social gathering. A Jam can be a research lab. A Jam can be a training ground. A Jam can be a rich space of learning, or a place to decompress.
In the Upstairs Studio at Dancehouse, the Contact Improvisation Melbourne Jam gathers every Monday night. This year marks the 30th anniversary of the Melbourne Jam. Many of the dancers at the Jam have been dancing together since before Aimee and Ned were even born.
This show explores the lineages and histories of Contact Improvisation in a playful, experimental, and spontaneous manner. Audiences witness an unfolding as the two dancers learn more about each other, trace the constellations of their dance histories, and interrogate the performability of an improvised practice, live, each performance.
Choreographer & Performer Aimee Raitman
Performer Ned Nicholson
Sound Design Callum Cheah
This work has been supported by The Space Dance and Arts Centre, and Hobsons Bay City Council. First development created in collaboration with Martin Hughes, presented at Out of Bounds 2026 supported by Dancehouse and Lucy Guerin Inc.
Aimee Raitman, based in Naarm/Melbourne, works with improvisation, choreography and body based practices. Most recently, she has been creating intergenerational and interdisciplinary work. Her choreographic practice is informed by her training and research in Contact Improvisation, Gaga and Zenthai Shiatsu. Aimee holds a Bachelor of Fine Arts (Dance) from the Victorian College of the Arts, where she received the VCA Choreographic Award. Her work has been supported by Australian Dance Theatre, the Adelaide Fringe Foundation, Geelong Arts Centre, Lucy Guerin Inc., Dancehouse and ACMI. Aimee is currently an Artist in Residence at The Space Dance and Arts Centre, was a 2026 Foundations artist at The Substation, and is an active collaborator with Coexist Collective.
Callum Cheah is an award-winning sound designer, composer, writer and ambient music creator from Melbourne, Australia. Callum’s award-winning designs have toured festivals globally, such as “Altar” (OFFIE Award Winner, Edinburgh Fringe, MIDSUMMA), “Asynchrony” (2022 Adelaide Fringe Weekly Best Film, Digital & Interactive Work, Melbourne Fringe, Adelaide Fringe, Edinburgh Fringe) and “A Recorded Companion” (Access & Inclusion Award, 2020 Melbourne Fringe Festival). They have also worked with Barking Spider Creative as assistant sound designer/facilitator on ‘Kids Country’ (2022), Facilitator on ‘Wood Wide Web ‘(2022) and as the Head Sound Designer on ‘Old Light, New Lens’ (2023). Most importantly though, they love making little bleeps and bloops on the ‘too many’ synthesizers they own.
